Oliver Scherenberg

Lethe GmbH

CFO and Chief Legal and Compliance Officer

VON HAVE FEY Rechtsanwälte

Of Counsel (attorney in a passive role)

SCHERENBERG LEGAL & LICENSING

German law firm with a focus on the monetization of intellectual property rights, web3 and generative AI.

Founder and IP Licensing Counsel

WEB3LEX

Award-winning international online knowledge base for web3 and AI legal and tax topics and home of the international #lawyers4web3 network. 

Browse our knowledge base with an AI assistant for the legal answers you are looking for in the areas of web3 and AI (currently testing, published soon).

WEB3LEX is a virtual law firm, which puts you in touch with web3 legal and tax experts from over 60 jurisdictions. Book your meeting through the platform and pre-pay with credit card or PayPal (currently running a pilot on this feature). 

Want to have an immersive meeting with your WEB3LEX lawyer? No problem, come visit our Virtual Office with your fancy avatar.

- Winner of 1 golden and 3 bronze nails at the 2023 creative festival of Art Directors Club.
- Winner of 4 Red Dot Awards (among one "Best of the Best") 2023.
- Short-listed for European Metaverse Awards 2023.

Founder

DRYMSTRYM TV GmbH

Multi-Channel-Network with a German broadcasting license. Are you running a live streaming or SmartTV channel and require a license? We can legalize your channel by granting you a sub-license (approved by the media regulators).

Co-Founder and Managing Director

The Orthocorp Ltd.

web3 voxel game and Metaverse. An innovative experiment on the Ethereum Blockchain. Doomed, but what isn't?

Orthosigliere (The Legal Guy)

Sisvel Group

General Counsel Legal and Business

Preu Bohlig & Partner

Partner

Unverzagt von Have

Associate Partner

Freshfields Bruckhaus Deringer

Associate

Licensing, web3 and Media Law.

Picture courtesy of Rainer Hosch (www.rainerhosch.com), 2022.

Titanic II in the making – for younger viewers.


If the ship were to sink today, this might be the final scene of the movie.

Considering today's social media habits, the sad truth is: this probably wouldn’t even be unrealistic.

And yes, I know: the ship didn’t actually sink stern-first but went down in a bow-first nosedive.

Maybe AI knows something we don’t!?

Folks, we might be onto something here...

#conspiracy #bestselfie #titanic2 #howhavewegottenhere

German Court: AI trainig can be considered copyright infringement

The Munich Regional Court delivered an interesting decision today.

GEMA, the collective society for music rights holders, sued #OpenAI over lyrics used to train and reproduced by ChatGPT.

And GEMA fully won. Here are the key points of the judgement:

1️⃣ OUTPUT infringement:
ChatGPT reproduced lyrics of several songs verbatim. The court saw that as a copyright violation.
👉 No surprise here. If the output looks like the original work, that’s an infringement.

2️⃣ INPUT (= training data) infringement:
Because the lyrics appeared word-for-word, the court concluded they must have been part of the training data. That means, there must be a “copy” of the work in the training data.
👉 I believe this is technically wrong. AI models do not store original data. They learn patterns. This point may not survive appeal.

3️⃣ No text and data mining (TDM) privilege:
Since the court found that data was stored, they come to the conclusion that this does not fall under the TDM privilege.
👉 I am afraid this is also incorrect, since no data is stored in AI models to begin with.

4️⃣ Liability:
OpenAI, not individual users, was found responsible for near-verbatim reproductions.
👉 That makes sense under the Court's logic. But it does not stop there. Make no mistake: users are not automatically off the hook. Just like in pre-AI times: If you publish infringing material, you are still responsible, regardless of the source.

GEMA is the clear winner of round one. Now both sides head back to their corners. OpenAI will spit out some blood, and get ready for round two. This ain't over yet.

Ding ding!🥊

See addtional posts and many more details and perspectives regaring this case by my esteemed colleagues Dr. Ralph Oliver Graef, LL.M. (NYU), Dr. Barry Scannell, Max-Julian Wiedemann, LL.M., Edward Lee and many others.

Preparing early for the upcoming corporate Christmas party this year. 



P.S.: I made this picture last year already with the then most recent Midjourney AI diffusion model. 

P.P.S.: I seriously consider getting this made by some talented knitting expert on Etsy or the like. Recommendations anyone?

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This morning we have obtained a landmark court decison regarding the use of copyright protected works for the training and operation of AI models under EU law. 🏆

In its ruling in GEMA vs. OpenAI the Munich Regional Court found that OpenAI should have asked for permission before feeding our members’ song lyrics into ChatGPT. 

According to the court AI training with copyrighted works and the memorization of such works in the model without prior authorisation constitutes a violation of copyright rules  - and triggers AI companies’ liability. 

This is a huge success for all whose creative output has been used to build and train an AI model. Creators’ rights are not up for grabs. 

We will continue our mission to defend our members’ rights! Next stop: GEMA vs. SunoAI in January.  
#fairness #AI #copyright

Christopher Wieduwilt

Helping 35k+ music pros use AI to produce faster, market smarter, and monetize their art (aimusicpreneur.com).

By age 23, I had toured the US coast-to-coast and racked up 500,000+ plays on Myspace. I was living the dream.

Then, the platform crashed:

And I lost my entire fanbase overnight.

I hit rock bottom.

So, I decided to pivot. 

→ I spent the next decade mastering Product Strategy.
→ I scaled a food startup from 0 to 150K/month.
→ I built B2B platforms for Lufthansa and trained teams at Porsche.
→ I even helped my Mom sell 150,000 books.

But, I never stopped thinking about music. And I had a hypothesis.

I believed that technology wasn't the enemy of the artist. 

I believed AI was the catalyst musicians needed to turn their craft into a scalable business. 

By leveraging AI for both production and promotion, I saw a way for artists to reclaim 15+ hours a week, time they could use to grow their revenue rather than just maintaining their workflow.

So, I founded The AI Musicpreneur.

The results have been incredible.

In a short time, I’ve built the #1 independent resource for AI in music.

My results:

→ 35,000+ music pros reading my monthly insights
→ Over 200,000+ professionals helped with AI tools
→ $70,000+ revenue driven for partners in the last 12 months
→ Trusted by industry leaders like Waves, Lalal.ai, and Neural Frames

I now spend my time bridging the gap between music and tech. 

Here is how I can help you:

1. SCALE YOUR AI MUSIC TOOL:

I help AI music companies get in front of musicians, producers, and industry leaders who are actively looking for solutions. I have driven over $70,000 in revenue for my partners in the last year alone.

Partners include: Neural Frames, Waves, Lalal.ai, AudioCipher, and more.

→ Advertise with me: https://www.passionfroot.me/ai-musicpreneur

2. BOOK ME AS A SPEAKER:

Most AI talks leave attendees confused with theory and hype. I show them what buttons to press.

I provide keynotes, panels, and workshops that give attendees practical systems for production and promotion they can use on Monday morning.

I have spoken at premier events including:
🇩🇪 GEMA x WISE AI Music Summit
🇪🇸 BIME Music Conference
🇧🇪 Wallifornia Music + Tech
🇺🇸 NFT.NYC

→ Inquire for dates: https://www.aimusicpreneur.com/book-me-as-a-speaker-ai-music/

3. THE AI FANBASE BUILDER:

For artists: I teach you how to use AI to tell your story and build a loyal fanbase without losing your soul.

→ Start learning: https://ai-fanbase-builder-0ab2uub.gamma.site/

Email: chris.wieduwilt@aimusicpreneur.com
Web: https://www.aimusicpreneur.com

🎵 I wish  #NFTs existed 10 - 15 years ago.

I have practically been a music nerd for all my life. 

I used to play in various bands and as a solo artist as well as worked for record labels, organized festivals & managed up and coming artists.

I consider this experience very precious and am thankful for the opportunities I received.

I got to play in Los Angeles on Sunset Boulevard and toured the entire US.

Ranked up over half a million plays on Myspace (Yes, Myspace did exist back then)

Got featured in the biggest Rock/ Metal magazine in China.

And was on German TV.

Why am I telling you this?

It sounds like that could pay the bills right?

It didn't. AT ALL. It was a +- business.

Independent artists without much representation have it hard. 

Music piracy did not help at the beginning of the century.

And the model of streaming pays independent artists unfairly.

Along came COVID and seriously threatened live music and musicians.

Music NFTs taking off (in the next few years) feels like a resurrection for the music industry to me.
 
🎸 For independent artists NFTs could provide an opportunity to connect with fans in unique ways.

NFTs are not a get-rich-quick scheme, it needs work, but it could enable artists to make a better living than now.

You don't need millions of streams on Spotify, but maybe only a few hundred devoted fans that invest in your journey and see you grow.

💿 Record labels, publishing agencies & more can use NFTs to offer new experiences to music lovers.
At the same time creating new income streams could also mean that more investments go into up and coming artists long-term.

It puts a little bit of the power back into the hands of the music industry.

I've seen artists disappear over the years because they ran out of fuel at some point (financial wise).

Wouldn't it be great to experience live music and at the same time know that the artists performing can provide for themselves and their family?

Let's create your future together.

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The Battle

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