Feedback In Games

In-Game Polling System and Feedback Analytics platform

Unity Native
Easy to set up, just like analytics.

Co-Founder & CEO

Octappush

One of the top Android playtesting solutions (based on popular reviews)

Saxolist

A review blog for new mobile games and apps

Founder

Flower In The Pocket Band

Jazz/Rock Violinist

e-periptero

A website displaying all the front pages of all the Greek magazines for the purpose of helping the reader easily decide what magazine to physically buy.

Jooblers.gr

Co-founder & Tech Blog Writer

Thessaloniki Choir

Chorister

Youth Symphony Orchestra of Kalamaria

Classical Violinist

If you feel that you don't know your players, then you probably don't! 
External surveys, A/B testing, Discord take too much time and require too many players to find out what they want, and why.
With our in-game survey system, you get micro-insights all the time. You learn your players FAST & build a hit game

Christian Sino

Dreambeast Media Inc

Business operations guidance and client liaison, I work closely with studio leadership to sculpt the expansion path of the studio.

Working primarily in Unreal 5 on marketing trailers, in-game cinematics and I.P. development I am responsible for setting the direction for client work providing a wide range of services from storyboards, to narrative mentorship, to hands on scene execution.

Creative Director

BioWare

Assisting the Creative Director, I worked with cross discipline teams and production to solve issues and define solutions through every stage of production. I specialized in creating a polished over all game experience, identifying and smoothing out the rough patches in the information and emotional flow of the product.

Dragon Age: Veilguard / Dreadwolf

Realization Director

I handed the reins over to the next Cinematic Director, giving him my full support. I still provided content review feedback for 2D and 3D scenes as my efforts changed to more project wide narrative concerns. I was also heavily involved in sorting out cross discipline problem areas and providing creative solutions to  parts of the game experiencing troubles.

I updated the look, feel and design of Dragon Age’s iconic 2D sequences, working with our outsourcing partners to Direct them through to completion. 

Dragon Age: Veilguard / Dreadwolf

Cinematic Supervisor

I set the Cinematic Style and Direction for the game, reviewed both 2D and 3D cinematic content. I also was heavily involved in cross discipline efforts, writing peer reviews, script reviews and level gate reviews. I also built creative and technical pipelines and hired on team members.

Dragon Age: Veilguard / Dreadwolf

Cinematic Director

Founded BioWare’s first Story Art team. Innovated and evolved our company’s narrative process, pushing forward the benefits and uses of pre-production for not only Cinematics but the larger product on multiple levels and disciplines. 

Dragon Age: Veilguard / Dreadwolf

Lead Story Artist

I directly managed and lead teams of Cinematic Artists, across multiple global time zones. I directed Mocap and Pcap, working with actors on set, working through scripted dramatic events, stunts, and facial capture. I built several data processing pipeline and content creation workflows across multiple game engines, including being a launch title for the 4th Gen on a new engine (DA:I).  

Anthem: Additional Support*
Mass Effect: Andromeda
Dragon Age: Inquisition
Citadel - Mass Effect 3 DLC
Leviathan - Mass Effect 3 DLC

Lead Cinematic Designer

Assembled branching scenes, shot Mocap, worked scripts, worked heavily in engine to craft both custom and procedural, interactive scenes. 

From Ashes - Mass Effect 3 DLC
Mass Effect 3
Dragon Age 2
Lair of the Shadow Broker - Mass Effect 2 DLC

Cinematic Designer

BigPark

QA and VFX Assistant

Frantic Films

Tracking Artist

Radical Entertainment

CIS Vancouver

Matchmove Artist

Experienced Director, Leader, and Manager on numerous AAA titles with 17+ years in the entertainment industry and 15+ years immersed in creating dynamic, branching Cinematics in award-winning, player-driven stories. From marketing to pre-production to shippable product, I have hands-on experience with every stage of the Cinematic pipeline on multiple game engines and industry-leading software. Additionally, I have successfully built and trained teams of 3-12 Cinematic and Story Art members, effectively breaking down interdepartmental barriers and innovating the Narrative Team’s production methods.

taplio

The Battle

Christian Sino

Sarah Hayward

Followers

Posts

Engagements

Likes

Ready to grow your LinkedIn presence?