EarReality

Narrative Designer 

Screenwriter

Paralect

Full writing support for the needs of the company:
- Writing articles and guest posts
- Creating case studies and video scripts
- Writing ads for various online channels
- Interviewing
- Supporting sales, product and marketing activities

Left the company to study full-time for MA Serial Storytelling in Germany

Copywriter

StockBattle

Worked on several web and mobile games aimed at crypto and stock market education. 
- UX writing
- Social media writing
- Blogging

Media Manager

FBS Inc.

- Managing a creative team (6 people) of the traffic department, later - of the FBS Global product, team lead.
- Copywriting for websites, landing pages, offline and online materials of the company in English.
- Creation of creative concepts, UX copywriting
- Editing and proofreading of materials for novice copywriters, training for copywriters

Creative Team Lead / Copywriter 

Heads and Hands

Content marketing and PR for Russian and International markets:
- Strategy planning
- Content marketing (blogging, SMM, ratings, etc.)
- PR
- Online Marketing

Marketing and PR specialist

Reksoft

Marketing Manager

Marketing Assistant

All my life I’ve been a fierce force of imagination, persistence, and hard work: like a dragon hunting for gold. But instead of treasure, I’ve been searching for stories to tell and ways to make an impact.

Born in Belarus, I studied journalism in Bulgaria and worked in marketing in Russia, but storytelling has always been my true passion. I create narratives that allow people to explore fresh perspectives in a safe, immersive way.

As a queer, neurodivergent woman from a patriarchal country, I’m passionate about shedding light on complex topics through my work. Over the years, I’ve designed more than 100 LARP games, written 10+ original tabletop campaigns, and worked as a script supervisor on the short film Mein Name Akim (2024), which tells the story of transgender refugees in Germany.

During my MA in Serial Storytelling at IFS Cologne, I honed my skills across genres, working on solo projects as well as collaborating in Writers' Rooms.

Currently, I’m co-developing a visual novel game with a co-author as a passion project.

Now that I've completed my degree, I’m eager to bring my creativity to TV and gaming, crafting stories in both English and German.

Dragons never stop breathing fire. And neither do I, with an endless flow of ideas and stories I can’t wait to share.

Alena Lysiakova 🐉 🔜 GAMESCOM

In audio games, players can’t scroll back. 


They can’t “check the log.” They’re usually listening while cooking or commuting, not taking notes like a detective.

So if your story relies on the player remembering a random detail from minute 3 to survive minute 22, good luck. Your plot may be brilliant, but the format will eat it alive.

🐲 Audio narrative design has to support memory.

 Not through exposition dumps, but through systems that anchor recall:
+ Recurring motifs (a phrase, a sound, a location)
+ Audio cues that repeat at key moments
+ Mirrored consequences that call back to earlier actions

💡 These are structural tools, not flavor text. They let players remember without needing a rewind button. Because if your story only works when someone can reread it: you didn’t design for audio. You designed for a book.

#NarrativeDesign #AudioGames #StoryArchitecture

Alena Lysiakova 🐉

Narrative designer and screenwriter ▶️ Let's create stories that make an impact

If your characters agree too often, something is wrong. 🎬

Harmony might be great in real life (depending on who you ask), but on the page it’s story poison. When everyone shares the same opinion, makes the same choice, or nods politely in every scene… there’s nothing to watch. No movement. No friction. No reason for us to lean in.

Stories don’t run on plot twists alone 👉  they run on pressure.

Tiny disagreements. Conflicting priorities. One person wanting something now while the other wants it later. A silent “no” that derails a plan without a single shout.

Characters don’t need to scream at each other to create tension. 💡 They just need to want things that don’t align. Even slightly. That’s enough to make a scene feel alive.

🐲 So if your dialogue reads like everyone attended the same group therapy and agreed to be mature about it, throw in a value clash. A boundary. A secret. A refusal that doesn’t look like one.

#Screenwriting #Storytelling #GameWriting

I just finished reading HOW TO WRITE A VERTICAL SERIES IN 10 DAYS by Isabel Dréan, and honestly, it exceeded every expectation I had. 💜 

I went in hoping for a few insights.

What I got was a full, practical roadmap: tasks, exercises, industry guidance, and a crystal-clear breakdown of how to actually enter the vertical series world. It's easy to read, but more importantly, it's easy to apply. 🐲 The book basically screams, “Start now,” and as a screenwriter, that was exactly the push I needed.

Now I know exactly how to structure my vertical series portfolio and how to approach producers with my concepts. Huge thanks to Isabel for creating such a sharp, actionable guide: it immediately earned a place on my “write with purpose” shelf.

👉 If you're a new creator or screenwriter who wants a real, practical entry point into the vertical series industry, this book is a must. 
https://lnkd.in/eaKhHw2w

#Screenwriting #VerticalSeries #BookReview

Some interactive stories love throwing choices at players like confetti.


A choice here, a choice there: none of them actually do anything, but hey, it feels interactive, right? 

🐲 No.

 That’s writing pretend-agency. It’s a novelty menu. It’s decorating the game with buttons that aren’t hooked to anything. 

Real narrative design is systemic.
👉 Choices should connect to variables that influence:
+ relationships (trust, fear, loyalty)
+ difficulty (risk, scarcity, knowledge)
+ consequences (routes, scenes, endings)
+ pacing (when info drops, when tension spikes)

If your branching doesn’t change the system, it’s not interaction: it’s decoration.

💡 Players don’t remember how many buttons you gave them. They remember how their choice changed the world, the character, or the story’s tone. We’re not designing “options.” We’re designing impact.

#NarrativeDesign #GameWriting #AudioGames

Everyone loves saying “games are the new IP goldmine”, until it’s time to adapt one and suddenly half the story disappears and the other half gets rewritten into something no fan recognizes. 🎮📺


So I wrote about what makes good adaptations work.

How to translate gameplay into story, treat worldbuilding like a character, and keep both longtime fans and newcomers hooked without bending the source material into something unrecognizable.

👉 Game Over for Bad Adaptations 
https://lnkd.in/ejp-QaQF

If you care about storytelling across mediums,  this one’s for you.

#Adaptation #Storytelling #Screenwriting

Open article: Game over for bad adaptations by meer.com

Let’s be honest, most early world-building documents look like Pinterest boards in disguise. 👾 

Pretty aesthetics. Moody adjectives. 

But in audio games, vibes won’t save you. 👉 Rules will.

If the player can’t predict how the world behaves, they can’t make meaningful choices.

And if they can’t make meaningful choices… well, what are we even doing here?

Strong audio world-building isn’t about lore dumps: it’s about systems thinking:

🧩 Consistent logic
 Magic works the same every time.
 Social rules don’t change based on a writer’s mood.
 Danger has clear signals that the player can learn.

🔊 Predictable sensory cues
 A sound has a purpose. A silence has a consequence.
 The player should learn the world’s language without needing a codex.

👤 NPCs follow world rules too
 If everyone except the protagonist behaves like they’re in another genre, your world collapses faster than a badly mixed audio cue.

🗺️ Boundaries that define possibility
 The world needs limits. What can’t happen is just as important as what can.
Because a world with vibes but no rules isn’t a world. It’s a mood board with dialogue.

🐲 Design your world like a system, and the player will believe in it instantly.

#NarrativeDesign #Worldbuilding #AudioGames

Writers love to obsess over genre:
 “Is it a drama? A thriller? A dark comedy?”


👉 Here’s a secret: your tone decides that long before your logline does.


Take this:
 A couple argues in a car during a thunderstorm.
 💔 In a drama, it’s the last fight before they break up.
 😂 In a dark comedy, lightning strikes right as one says, “At least things can’t get worse.”
 🔪 In a thriller, someone’s bleeding in the trunk and the argument’s just a cover.

Same setup. Totally different story: all because of tone.

Tone tells your audience how to feel about what’s happening, even before the plot fully unfolds. It’s the lens through which they interpret every line, every silence.

🐲 So before rewriting your script for the tenth time, don’t change the plot. Change the tone. Sometimes it's even more effective.

#Storytelling #WritingTips

Here’s something I learned writing for audio: if you build your episode like a typical visual game, escalating scene after escalating scene, your listeners will mentally check out by minute 12.


Why? 
👉 Because audio burns brainpower faster than visuals.
There’s no UI, no map, no screen to anchor attention. Just the player, their imagination, and whatever chaos you hand them.

That’s why audio episodes need chains, not ladders:
🔗 Repeat anchor points
 A recurring sound, phrase, or location the player can “grab” onto.

🔗 Linked beats instead of vertical escalation
 Scene → consequence → micro-turn → reorientation → next link
INSTEAD OF
Action → Bigger Action → Biggest Action → listener meltdown.

🔗 Reorientation moments
 Tiny resets that say, “Here’s where you are. Here’s what changed.”

🔗 A rhythm, not a sprint
The emotional pulse matters more than the scale of the event.

🐲 Because if your episode structure only works when players can stare at a screen, it won’t survive in audio. 

💡 Design for the listener’s brain, not the writer’s adrenaline.

#NarrativeDesign #AudioGames #StoryArchitecture

EarReality is hosting a free webinar for anyone curious about interactive audio.

🐲 And yes, I’ll be one of the hosts.

Here’s what we’re diving into: 

✅ The TWIST Engine: A clean, no-nonsense intro to the tool we use to build interactive audio stories (the same one I used to write all my audio games).

✅ Business & Publishing Opportunities: self-publishing, collaborations, monetization: the whole ecosystem and how you can actually earn from your stories.

✅ Live Demo: we’ll start with a 30-minute listening session so you can hear what interactive audio feels like before we break down how it’s made.

If you’ve been meaning to try this format, want to explore it for your professional projects, or you’re just audio-curious, this webinar will save you weeks of trial-and-error.

🗓️ The LinkedIn Event link is right below. Seats are capped at 100, so grab yours before it fills up. And if you want to support the event, a like, share, or repost would make my day. 😎

#EarReality #TWIST #NarrativeDesign #Storytelling #InteractiveAudio

Helping Media Companies, Game Studios & Brands Expand Their IP Through Interactive Storytelling | CEO @ EarReality | TWIST Game Engine | Transmedia Strategy | In-Car, Mobile & Web Experiences

🎤 🎧  Finally, we’re hosting a FREE webinar for authors, narrative designers, and brand marketers who want to understand how interactive audio works and how to create it. 🕹️

What the session covers:

✅ TWIST Engine
A clear introduction to the tool we use to create interactive audio stories.

✅ Business Opportunities
How self-publishing, collaborations, and monetization work on TWIST and TWIST Tales.

✅ Practical Demo
We begin with a 30-minute listening session so you can hear an interactive audio story before learning the production workflow.

If you want to create interactive audio, evaluate the format for professional use, or explore future publishing opportunities, this session gives you the essentials.

This webinar is listed as a LinkedIn Event.
The registration link is directly beneath this post.
Seats are limited to 100 participants, so register early to receive the meeting link.

If you want to support the event, feel free to like, share, or repost 😎 

#EarReality #TWIST #marketing #storytelling #games #gaming #stories #audiobooks #audio #RPGs #writing #books #narrativedesign

Christian Mahnke, Anastasiia Chetverikova and 28 other attendees

View event: EarReality Webinar: The Business of Interactive Audio & TWIST - Part 1

EarReality Webinar: The Business of Interactive Audio & TWIST - Part 1

🐲 Just a quick reminder: this week we’re hosting our interactive audio webinar: a deep dive into TWIST, storytelling tools, and how creators can actually publish and monetize their work in this format.

If you’re curious about interactive audio or want to explore new opportunities as a writer, narrative designer, or creator, join us. 🎧🔥

#NarrativeDesign #InteractiveAudio

⏰ Starting in ONE hour! 🎧🎤


Our webinar on interactive audio storytelling and the business behind it is about to kick off.

If you’ve been curious about how interactive audio works, how creators can actually publish and monetize their stories, or what the TWIST Engine looks like behind the scenes… this is your chance to join live.

 🔗 https://lnkd.in/ek5wHQJ2

See you there: bring your questions and your curiosity. 🎧 🐲 

#InteractiveAudio #Storytelling

StoryAngled

We help B2B founders build brand stories that resonate — and turn them into content campaigns that drive results.

From positioning to execution, we develop strategic narratives and deliver creative campaigns your audience actually connects with.

Check the Featured section to book a free consultation.

AI Data Management

• Developing communication strategy for enterprise-level AI data management solutions.
• Creation, management, and optimization of the company's content
• Inbound lead generation

Marketing Strategist

HRnest

I was responsible for the strategy, execution, and optimization of HRnest's content across multiple channels:

• Blog
• Social media
• Video
• Email marketing

I built a comprehensive product education experience (HRnest Academy) to support free trial users during product adoption in their company.

I shifted HRnest's positioning and strategy to reach more customers from international markets. Guided the process of adjusting the app's language, voice, and messaging to fit the needs of international customers better.

I co-created multiple lead magnets and materials for the Sales and Customer Care department to support them during discovery calls.

Content Specialist

Acquiring Inbound Leads for B2B Founders with Personal Content Programs • Explaining Content, one Ugly Drawing at a time

Your B2B content marketing should do more than just fill a feed.

It should: 

• Attract the right people to your offer
• Position you as a trusted expert
• Convert attention into pipeline

At StoryAngled, we build custom content programs that deliver:

• Inbound lead generation strategy
• A full-stack content production team
• An always-growing database of proven content systems, frameworks, and resources

We work exclusively with B2B founders and growth-minded teams.

If that’s you, shoot me a DM — I’ll get back to you personally.

Kuba Czubajewski

6 things I’ll never tell a B2B founder to do on LinkedIn:

I help founders build their personal brands. But:

There are some “tactics” I’ll never recommend, no matter how much hype they get:

1. Post photos with their children

Your kids can’t give 100% consent to being online.

It’s weird.

It’s iffy.

You never know who’s looking at those photos, and LinkedIn isn’t the place.

2. Post contrarian takes just to farm engagement

Arguing for attention smells desperate.

People see right through it.

3. Use “proven” formats

If it’s “proven,” it’s probably tired.

Aim to post your original thoughts and processes. Originality gets remembered.

4. Chase every LinkedIn trend

If you’re always chasing, you’re never leading.

5. Share empty “hustle” stories

Nobody cares how early you get up.

They care about results.

6. Fake vulnerability for sympathy

Real leaders don’t perform.

They show up (wins, losses, all of it) no theatrics.

Any other things you see here that I should add to the list?

1 system to consistent inbound for complex B2B offers | 30+ founders using it | Sharing daily content advice for busy B2B leaders

If your buyer can't use, share or apply the CTA in your content in ~60 seconds, they'll ignore it. I run my CTAs through this filter:

1. Can they use it right now?

A cheat sheet, a checklist, a 2-slide summary – something they can put to work in their next meeting.

2. Can they share it easily?

If your CTA helps them look smart in front of their team, you win.

Think: a quick summary they can forward, a KPI sheet, or a list of questions for their next call.

3. Can they apply it in under a minute?

If it takes more than 60 seconds, it’s too much friction.

Your buyer just scrolls past.

It's about giving your buyer an option as frictionless as possible.

Not because their attention spans suck - but because they don't know you or trust you yet to invest any more time into what you have to offer.

Here's a list of 48 micro-CTA examples for different B2B niches:

Every post I publish here saves €19-49 for my business.

Last week, I checked how much it costs to "boost" my LinkedIn post.

Well, it's kind of a sh!tty offer, tbh.

I mean, 4,300 impressions for €49?!

That’s €0.01–€0.05 per impression.

And that’s just for people seeing it. Not clicking, not engaging, just scrolling by.

I get the same results (for free) for most of the stuff I post.

So here’s how I “save” ~€1200/month (and get way better results):

1. I post 2–5x a week on my company page and personal profile

2. Every post is built around a clear problem my B2B buyers actually care about

3. I use the Demand Packet method:

→ Real trigger
→ Tangible outcome
→ Tiny proof artifact (mini case, checklist, or 2-slide summary)

4. I add a Utility CTA – something genuinely useful, no friction, no forms

5. I repurpose each post for my videos or website.

As a solo operator, I can't afford to pay LinkedIn big bucks for them to show me.

So, irresistible content is my way to go.

If you want to see how I do it, DM me and I’ll send you my template.

How I build B2B inbound flywheels for my clients:

(that attract high-ticket 6-12 leads every month):

1. Demand Packet

Instead, package your expertise as a crisp, self-contained story:

• What real-world pain triggered the search?
• What job does your buyer actually need done?
• What measurable outcome matters?

If you've got proof, show it in 2 slides or a checklist.

You don’t need NDA-breaking data.

You need a story buyers can repeat to their boss.

Example:

“Last quarter, a mid-market ops team cut reporting time by 35% with a single Power BI layer. Here’s the 2-slide brief we gave them.”

That’s a Demand Packet.

2. Utility CTA

Don’t ask for a call.

Offer a micro-win – something useful the buyer can grab right now.

• 2-slide summary
• Risk checklist
• KPI sheet
• Project scoping questions

Zero friction.

Only real prospects bite.

You look helpful, not hungry.

3. Momentum Loop

This is where most founders fall off.

They create content, but never compound it.

How to fix it:

• Pull a Demand Packet from your weekly article
• Pair it with your Utility CTA
• Publish on LinkedIn, send in your newsletter, add to your site
• Engage replies, deliver the asset, gather feedback

Each cycle builds your “library of proof.”

Each asset makes the next easier.

And you don't have to start from scratch.

PS. Which element sounds the most difficult to you right now? Comment below and I'll suggest a fix.

One of my clients recently returned to work with us on his YT. What he said on our first call:

"You're not just creating great stuff, but you're also a great communicator"

That hit me in the feeelzzz...

Look, just like any other content agency, I'm obsessed over deliverables.

I want the work to be top-notch + delivered on time – that's table stakes.

But from Day 1 of StoryAngled, I was also obsessed with giving my clients clarity.

• Translating your expertise into plain English (not jargon soup)

• Asking sharp questions until your real differentiator shows up

• Never “ghosting” – always keeping you in the loop

• Challenging your assumptions when something won’t work

My clients are mostly tired of yet another vendor pushing PDFs over the fence.

They want a partner who listens, gets their world, and closes the loop every step of the way.

Want to see what “content + clarity” feels like?

DM me and I’ll show you how we work – no pitch, just a peek behind the scenes.

PSA: LinkedIn doesn’t need another “innovative” framework that nobody actually uses.

Recently, I noticed a weird trend among content creators.

While they're writing their posts with AI (nothing wrong with that), they let the bot slap a fancy name on a problem they barely understand (everything wrong with that).

Example:

"Data Frankenstein Effect"
"Pipeline Paradox"
"Conversion Chasm"

Sounds cool, right?

But none of these terms actually mean anything in the real world. 

They’re just empty calories for your feed.

And what happens when somebody asks:

“Hey, I’ve never heard of the Pipeline Paradox. How does it show up in your work?”

Now you’re on the spot. 

You either scramble to make something up, or you ghost the thread. 

Both make you look clueless.

Why does this keep happening?

Because AI’s great at stringing together buzzwords. 

It’s easy to let it do the heavy lifting. 

But when you publish jargon you don’t use in real life, you’re burning trust.

I talked about it more in Audrey Chia's podcast that went live this week – and offered a few solutions to this problem (I'm not just bitchin')

You can listen to the whole thing here: https://lnkd.in/dKM4-UUQ

Building Brands That Convert | Copywriting + AI + Content Strategy | Founder of Close with Copy | Your Growth Partner 🎁

3 micro-triggers that make B2B buyers actually reply to your content (tested on 2000+ posts this year):

1/ Use their own complaints - word for word

Don’t guess. Steal the exact line your buyers grumble about to their team.

Example: “We’re drowning in broken dashboards every Monday morning.”

Our client posted this and got 5 DMs from ops leaders - 2 booked calls.

2/ Show proof, don’t just promise

Nobody cares about “great results.” They want to see it.

Drop a real before/after screenshot or a no-BS checklist.

We posted a 2-slide “bottleneck fix” for a client - one prospect sent it straight to his COO.

3/ Tell people who should scroll away

Stop trying to please everyone. Say who your solution isn’t for.

Example: “If you don’t have reporting chaos, keep scrolling.”

Every time, the right people lean in and reply – the rest self-select out.

Want to know which trigger fits your market right now?

DM me or drop a comment, I’ll give you my honest answer.

Just a quick reminder: building a brand here gives you a rare opportunity to gather feedback from pros you'd never have access to in any other way.

I'm currently working on content for my YT channel (3 videos done, 2 more to go 😮‍💨).

Last week, I sent the first one to a few of fellow creators, asking for feedback.

Honestly, I didn't expect anyone to respond. It's the end of of the year, everyone is busy af, it's totally fair.

Yet most of them replied.

People who I admire so much from all the sides of the world. Who have built incredible businesses through and with content. 

And all of them were 100% happy to help.

They gave me incredible notes, pointed out what to fix, and even offered help for the next time.

All because at one point in my life, I thought: "Oh, those folks are so cool, I'm going to support them here every day."

Want to build a real network? Start by showing up for others.

That’s it. That’s the whole play.

Comment on their stuff. Share their wins. Send a quick DM after a great post.

Just be visible and genuinely helpful.

When you do this consistently, something wild happens:

Suddenly, the people you look up to start rooting for you, too.

They spot your name in their notifications.

They remember you’re the one who left a sharp comment last week.

They notice your work.

And when you finally ask for feedback or support... they actually care.

It took me years to learn this.

But the fastest way to build a circle of allies isn’t to pitch, pitch, pitch.

It’s to become the person who gives first.

Want to test this?

Pick one creator you admire.

Support them for a month without asking for anything in return.

Then see what happens the next time you need advice.

That’s how you build a brand that’s bigger than just content.

taplio

The Battle

Alena Lysiakova 🐉 🔜 GAMESCOM

Kuba Czubajewski

Followers

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Performance ScoreAlena Lysiakova 🐉 🔜 GAMESCOM's LinkedIn Performance

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taplio

The Battle

Alena Lysiakova 🐉 🔜 GAMESCOM

Kuba Czubajewski

Followers

Posts

Engagements

Likes

Performance Score.css-goub6s{font-size:var(--chakra-fontSizes-md);font-weight:500;color:var(--chakra-colors-gray-600);display:block;margin-top:var(--chakra-space-1);}Alena Lysiakova 🐉 🔜 GAMESCOM's LinkedIn Performance

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Performance ScoreAlena Lysiakova 🐉 🔜 GAMESCOM's LinkedIn Performance